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 Q: If there are two
Italies, how come Veneziano is referred to as Italy and Romano isn’t?

A: There’s no
real reason given. It’s just how it is. 

The other nations generically refer to Veneziano as Italy, and
Romano as “Italy’s older brother” – Romano gets pissed off at this since he
resents being stuck in Veneziano’s shadow.

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Nonetheless, BOTH are Italy.

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Q: What did Chibitalia represent? Did anything
change?

A: Nothing’s changed in what he represents. Veneziano has always represented the north of the country, and Romano, the south. 

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The only difference
then is that Italy was fragmented into several small city-states after the
Roman Empire fell. The country wasn’t as
consolidated.

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By this, I mean that each city-state was diverse and different
enough to be considered as a nation in its own right. Veneziano and Romano were
the collective personifications of these states. Similarly, their names are
each likely references to Venice and Rome, city-states that were thriving with
culture at the time.

Veneziano refers to his half of the country as his house, meaning
that when city-states under his jurisdiction were conquered, he would also be
conquered.

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This is seen when Milan gets thrown into a war between
France and Prussia. When Milan gets taken over by Spain, it’s Veneziano who’s
captured. Again, he represents the collective of these northern city-states.

“This is how the War of Austrian succession looked like. Basically, everybody just bullying Austria. At one point, Northern Italy (Milan) got caught in a war between between France and Prussia, not noticing Spain surrounding him from the South until he got kidnapped.[x]

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The same thing goes for Romano.

He was once conquered as Naples by France [parts of Veneziano were also conquered here].

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Q: Would APH Genoa still be alive today?

A: It’s difficult to say since we don’t see him in the
present, so I can only speculate.

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However, I would guess that it’s possible for a variety of
reasons.

1) Personifications are personality-based. These personalities
are based on how strong the culture(s) of a collective organization of people are [x]. Since
Italians are so diverse and tend to identify themselves regionally, it’s
possible that while Genoa is no longer a city-state, he can still be a
personification of Genoan culture.

2) It’s stated that when the culture dies and the personification
loses their nationhood, they either die or become a representative of the
region. In other words, he could be active in politics. [x]

3) This one is more unclear and open-ended, but it’s
still substantiated in canon. We’ve seen personifications that technically
should be dead still existing well past their date of dissolution.

Ex: Holy Rome.

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If that’s the case, then Genoa could still exist, either because his culture is still there, or for no explicit reason. Nationhood is often very flimsy and loosely defined in the
series.

You also have to factor in the existence of the micronations, where
even Hima states that the reasons that founded their existence are “amazing” – as in no concrete rules
apply to them. It also has to do with the bizarre reasons regarding how they formed in real life. [x]

It’s likewise important to mention that real nations are often just as perplexed by the existence of micronations.

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In sum, it’s possible for Genoa to still be alive if you use
the canon rules I provided; however, it’s not canon.

Q: Is State-talia
real or OC?

State-talia is real. You can find notes on states and
provinces if you search the tag in the English translation of Hima’s blog
(Bamboo Thicket)

Tag: states and provinces

Ex: China’s provinces are personified.

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Ex: Japan’s prefectures [blog only] and feudal clans/territories are
personified [make appearances in the manga]

Interestingly, these feudal clans/territories still exist during Japan’s Westernization phase. Again, the rules of nationhood are loose, and personifications don’t always die and fade out right away. 

Sometimes it takes a while before they die, and other times they won’t die at all.

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Osaka, a previous feudal domain, later evolved to become a prefecture from the Meiji era

– present.

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Ex: America’s states are not personified, but Hima does
provide a hypothetical description of what they would be like in their relation
to America [x]. There’s also a brief dialogue between some states.

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Notice how America refers to his country as his house in the
case that his states were personified. It’s the same exact situation with North
Italy. Point is, there’s a consistent rule here.

Given that Genoa is personified, it would be possible for the city-states in each Italies’ house to be personified as well.

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Note: This theory will make use of Freudian theory. While I
recognize that Freud’s ideas do not bear much contemporary relevance, that
shouldn’t take away from the fact that many of his concepts (i.e erogenous
zones, childhood memory repression, catharsis) are nonetheless employed by Hima
in the series. The purpose of this post is to give some insight into the
psychologies of the characters.

Terminology I’ll go over: Psychosexual stages, causality, regression, fixation.

Yes, that’s right. Freud’s ideas are very much prevalent in the series. A big area of his work was analyzing the impact of childhood on personality development. Freud believed in causality, meaning that who you are as an adult can be directly traced back to your childhood.

How you’re parented and
brought up is the most crucial factor. I don’t need to go into this in too much
detail, but basically, we go through five stages of development titled: Oral,
anal, phallic, latency, and genital.

For this specific post, we
only need to focus on the early stages of development, which focus on sensual
(sensory) pleasure and stimulation, often for the purposes of soothing and
experiencing relief.

Each stage has corresponding needs. If these needs are not met (under-gratification) or
if they are too easily met (over-gratification), then the person develops a
fixation.

fixation essentially means that the person is
stuck at that level of development, which causes them to develop a problematic
personality type.

However, it’s only when that individual is met with
confrontation or a stressful situation that they regress back
to the stage in which they developed this fixation. The stress causes them to
revert back to the age where their needs weren’t met, and as such, adopt
childish behaviours.

For example, if you get into an argument with someone and they
start behaving selfishly, like a toddler, then you have every right to poke fun
at them for having Daddy or Mommy issues. Or, there are those who bite their
nails and pick at their lips, something akin to the soothing acquired from sucking
one’s thumb as a child.

Where Prussia Fits into This: 

Prussia
appears to be fixated at the anal stage of development, yes anal – ahem, moving
on.

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During this stage, children
from 18 months to about 3-4 years undergo a struggle for autonomy. This is the
first point in a child’s life that they have control and an awareness over their
body. What Freud specifically focused on was bowel movements; a biological
need.

Potty training, for most
toddlers, threatens to impinge on the control they’ve only just recently gained
over their body. Some toddlers refuse to let themselves be potty trained and
just go whenever they want, as if they were an infant. Others, through the
encouragement and praise of supportive parents, learn to regulate themselves
when they go to the bathroom.

How a child is parented during this phase is crucial to the type
of personality they’ll develop later in adulthood. Children who are shamed and
ridiculed if they have “accidents” develop an anal-explosive personality type. The over-gratification occurs when the child purposefully has an accident in response to their parents’ hostility.

A
child who is under-gratified still opposes their parents’ authority, but they hold their accident matter in. They refuse to go potty. This leads to the formation of an anal-retentive
personality type.

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Prussia embodies aspects of both anal personality types. We have
little knowledge over how he was parented, however, we do get enough insight
into what his childhood experience was like. Rather than having shame and
ridicule imposed onto him by someone else, it’s self-inflicted.

For his whole life, he’s struggled to survive having been
surrounded by larger powers [x]

He constantly adopted new titles and territories
to ensure his existence.

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This constant struggle to survive would explain why he has such
a large ego, even from a young age. His self-image is fragile, so he talks big
to reaffirm the strength that he desires to have and occasionally possesses
from time to time.

He wants praise because he likely hardly ever received it. 

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Notice how selective Prussia’s journal entries are. He doesn’t
acknowledge times where he was weak and only takes note of the “awesome”
moments of his life.

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One last example of this fragile self image is more implicit.
Prussia’s use of language is highly political; the use of specific words are subtle,
but the meaning behind them are extremely important.

When Frederick I implores Prussia to become a stronger power in
Europe in light of their faltering industries and lacking culture, Prussia’s
confidence is at an all-time low. Nevertheless, he stubbornly, if not
desperately insists that his clothes are still “cool”.

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The arc then proceeds to follow Prussia as he studies France’s
blooming culture. There, Prussia learns to equate aristocratic clothing with
strength.

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 After improving his nation and acquiring aristocratic clothing himself, pay attention to how Prussia’s use of language shifts. He and his clothes
are no longer just cool; they’re
awesome, if not “cooler”. Further, his self-confidence is notably stronger here.

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[Side note: France switches back and forth between thinking that nice clothes = strength in this arc.]

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For Prussia, it’s not so much about the specifics of this stage,
but rather the underlying theme of it. Anally-fixated persons struggle with issues
of mastery and control. They’re stubborn and don’t like authority being imposed
onto them. Put another way, they do things their own way, and when they lack
the autonomy to have control over their lives, it has a huge impact on their
self-esteem.

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It’s like a toddler that pouts. They want independence from
their parents, and when this isn’t recognized, they feel inadequate and
helpless. They also tend to get defensive and throw tantrums, as would a child who doesn’t get their way. 

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Isn’t that exactly what happens with Prussia? Before he grew
strong under Frederick I, the confidence he asserted was weak and delusional –
he didn’t really believe that he was strong, but was too insecure to openly
admit to this. After gaining strength, his ego respectively grew.

It would follow, then, that after losing to Napoleon, Prussia
goes back to wallowing in self-pity. Again, he appears to deny how grim his situation
is, and desperately tries to convince himself otherwise despite the fact that Holy
Rome is on his death bed.

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Likewise, once Prussia gains back this power in the years
leading up to German Unification, his confidence resurfaces. It’s all about
control and mastery over himself. This mastery extends as Prussia continues in aiming to be
the strongest nation, the best of the best.

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He’s the center-fielder, just like a toddler is the center of
their own world. 

This doesn’t mean to say that Prussia doesn’t care about
others, because it’s quite the opposite [I’ll get into that in a moment]. It
just means to say that during times of stress and anxiety, Prussia regresses
into this immature, unrealistic, and delusional perception of the world and how
it works.

Let’s end this by going over some of the anal-type personality traits that Prussia embodies.

Personality Traits:

 An anal-expulsive
character
is messy, cruel, and destructive. They can also be generous and
creative.

As seen in the examples above, Prussia is [self]-destructive.
When he’s feeling down, he deludes himself by vocalizing the contrary.

Ex: He claims that he likes being single, despite crying at the
sight of Hungary and Austria on Christmas.

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 He’s generous.

 Ex: He reads fairy tales to a dying Holy Rome. I can’t imagine how
hard that must have been on him.

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 Ex: He selflessly steps in to protect Germany when he’s first born.

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 He’s creative.

 Ex: He’s a great inventor.

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 Ex: He plays the flute.

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On the other hand, an anal-retentive character is a stingy
perfectionist. They are also obstinate, neat, and orderly.

Prussia is just as neat as Germany.

Ex: They both keep their uniforms spick and span.

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Ex: Coming from a strict military background, Prussia is also
orderly. He’s a very structured person.

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 With all that said, there’s a much more nuanced meaning behind
Prussia’s egotism. It’s more of an act stemming from his hidden insecurities,
than it is a reflection of his true self. He’s a selfless person who comes across as selfish.

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Can we see some more wholesome Prussia?

Sure. While reading fairy tales to Holy Rome, he realizes that there’s a lot of erotic content in them.

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He nervously makes up parts of the tales to avoid mentioning the explicit content, but inadvertently makes plot holes in the process. 

Of course, Holy Rome is quick to point out these plot holes, despite Prussia’s attempts to end the session. 

Prussia’s solution is everything here. [He literally kicks the book
out the window.]

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Sometimes, the fandom of hetalia thinks that France regrets what happened to Holy Rome. What do You think about it?

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I think he suffers from a lot of guilt. To be fair, I’m going to branch off and give two alternative explanations for France’s previous hatred of Germany (asides from the obvious war reasons). Of course, I’ll still link it back to Holy Rome.

One will be based on the fact that Germany is an amnesiac Holy Rome, and the other explanation will focus on France simply attempting to mend his relationship with Germany (a Holy Rome look-alike) after the world wars.

Either way, I’ve noticed a lot of metaphors of France projecting his guilt in communicating his desire to fix things with Germany.

Post coming up tonight!

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Ever noticed how similar
the Chibitalia and Holy Rome storyline is to Cinderella?

Because I sure have, and
I honestly wouldn’t put this level of trollness past Hima.

Death of [Grand]father + adoption by Evil Stepmother: 

When Ancient Rome died,
Chibitalia, as Northern Italy, fell under Austria’s strict rule. There, he was
subjected to rigorous chores and harsh punishments.

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Keep in mind that
Austria’s strictness is exaggerated given how old this strip is.  Even so, Chibitalia still shares fond moments with Austria.

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Evil Step Siblings: 

“Big Brothers” France and
Spain ruthlessly fight over Romano and Italy as if they were pieces of pie. Again,
their relationship isn’t only tied down to this, I’m just situating this with
regards to the fairytale.

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Cleaning + Mice:  

Chibitalia encounters
rats while performing his chores. While they’re not mice specifically, it’s the similar
theme that matters.

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Fairy Godmother:  

Chibitalia is mistaken as a girl by Holy Rome. While Hungary is aware of Italy’s true gender, she
still has him wear fancy and traditional Hungarian dresses.

In other words, Hungary ‘dresses’
Chibitalia up.

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The Prince + the Glass Slipper:  

There’s no ball here,
nor is there an imminent stroke of midnight in which the plot has its turning
point. Holy Rome would be the fill-in for the prince but the roles reverse
slightly here.

Nonetheless, the scene in which Holy Rome leaves for war is eerily similar to when Cinderella
forgets her glass slipper.

The glass slipper in
this case would either be the push broom (anime) or the underwear (manga) Chibitalia
gives to Holy Rome as a parting gift.

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Holy Rome = Germany disbelievers, look away, because you’re
not going to like this…

The Big Reveal:

It pains me to say it, but after hearing all this, how much
do you want to bet that if Germany is ever revealed to be Holy Rome, it’ll have
to do with him still possessing the underwear or push broom?

Just imagine it. Hima could have possibly been trolling and
leading us on for eleven years about an ending so obvious and overstated in popular culture that it’s gone
completely unnoticed.

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Young Germany: How was I born?

Prussia: AAAAAAAAHHHHHHHHHHH I SAVED YOU AS HOLY ROME
BUT THEN YOU BECAME AN AMNESIAC LALALALALALALA

*Holds up Young Germany by the armpits, Lion King style*

Young Germany: B-bruder, what are you doing?

Prussia: It’s the circle of life.

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Note: This theory will make use of Freudian theory. While I
recognize that Freud’s ideas do not bear much contemporary relevance, that
shouldn’t take away from the fact that many of his concepts (i.e erogenous
zones, childhood memory repression, catharsis) are nonetheless employed by Hima
in the series. The purpose of this post is to give some insight into the
psychologies of the characters.

Comic Diary 3…an old strip
that’s very easily forgotten despite how crucial it is in allowing us to get a
good understanding of what Italy may or may not remember from his childhood.

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In Italy’s dream, he conjures a lost child that looks exactly
like Chibitalia. When encountered by an unknown man, the child asks to be taken
to a person with a face exactly like them.

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The pair go up to Italy. What the unknown man says
next is crucial.

 “I have a lost child here.”

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The scene then takes a disturbing turn for the worse as the
child eerily repeats “Please acknowledge me” over and over again. Even more important
is that Italy refuses to acknowledge the child.

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Freud had a profound interest in dreams, as they act as a
pathway in gaining access into the unconscious mind of the patient. Your
unconscious mind is where your deepest desires, worries, and insecurities lurk;
you’re not aware of them. If a memory is traumatic enough, especially in
childhood, then they too can be pushed into your unconscious mind so that
you’re unaware of/ unable to remember them.

In the context of dreams,
this is where your unconscious has the free reign to express itself. What you
experience in your dreams has both a literal and a symbolic meaning. It’s the
symbolic meaning of dreams that psychologists look at. Basically, your
unconscious paints the dream in a way that something irrelevant – such as an
ordinary everyday object – could represent a repressed conflict, vulnerability,
or unpleasant trauma that is plaguing your mind.

Manifest Content is the
literal element of the dream. It’s what you see and experience. For example, in
this case, it would be Italy encountering a child that looks just like him and
reacting fearfully towards it.

The Latent Content is the
symbolic element; the underlying meaning. It’s the unconscious aspect of the dream that is masked by
the seemingly normal manifest content. Because these aspects are a representation
of unconscious conflicts, when brought to the conscious level they can cause us
to experience discomfort.

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What I want to focus on is the latent content of Italy’s dream.
The lost child could be symbolic of ltaly’s lost childhood. Likewise, it can
also act as a lost childhood memory that Italy has repressed and refuses to
acknowledge.

The trauma of losing Holy
Rome could have motivated Italy to actively forget about that part of his
childhood. It would follow, then, that Italy’s childhood self appearing in the
dream is the presence of an unconscious conflict and repressed memory, thus
causing him to respond fearfully.

On the same note, it’s not
impossible for the nations to have limited memories, let alone forget bad
experiences. Russia can surely testify to that.

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That said, while Italy may have repressed some of his childhood
memories, we know from Buon San Valentino that he hasn’t repressed all of them
as he at least admits that his first love was a boy.

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Perhaps this vagueness of
statement means that Italy’s memory about Holy Rome is muddled… that he knows
just enough, and yet, not enough to cause
him to remember and relive the pain of losing his first love.

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Prussia: Is your country running?

Holy Rome: We’re hardly unified, what do you think?

Prussia: Well, I better go put it together.

[on the phone]

Prussia: Is your country still… is your country running?

Germany: Listen, I don’t have time for this.

Prussia: Kids these days. So ungrateful.

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