Ah! It’s the complete
opposite! He was asked to stop a tank with his own body.

That’s his blood you’re seeing.
The manga also notes that Russia’s
bosses are notorious for their unreasonable demands.
“I’m bored. Let’s torture you.”


Ah! It’s the complete
opposite! He was asked to stop a tank with his own body.

That’s his blood you’re seeing.
The manga also notes that Russia’s
bosses are notorious for their unreasonable demands.
“I’m bored. Let’s torture you.”




Let me just preface this by
clearing up the most common misconception about Russia; that is, he’s evil. In
canon, it’s the complete opposite. Russia is explicitly described as “not evil”,
albeit being “naturally scary.” Obviously, being scary in appearance and
possessing an evil mind are two entirely different things.

In the same character note,
it goes on to say that Russia thinks that Vodka and General Winter are his
friends. What’s more, everyone that he meets he thinks are his friends.
Strange, considering that aside from protecting Russia from invading nations,
General Winter attacks and torments Russia himself.
It’s this warped
understanding of reality and interpersonal relationships that I’ll be discussing
over the course of this post. To do that, we need to understand the core
influence of Russia’s childhood on his present person today.
In doing so, this will give
insight into the reasons why Russia wrongly sees violence as an answer; why he comes
off as cold; and why, despite having good intentions to make friends, he does
anything but.
To put it simply, Russia’s
childhood was brutal. For the most part, he spent his winters alone with little
help and no shelter. This strip darkly alludes to the fact that he grew
accustomed to freezing to death.

On top of that, Russia grew
up in oppressive circumstances. One example of this would be how he was
subjected to Tatar Rule (the Golden Horde).
In “The Yoke of Tatar”,
Lithuania first meets Russia and warns the latter that he’ll “freeze to death”
if he stays outside for too long. Of course, from the example above, we know
that Russia has already died this way several times before.

Here, Russia fantasizes about
becoming a bigger country and tells Lithuania that they’ll become friends one
day. Now, pay attention to what Russia says when Lithuania offers for them to
become friends in the present moment.
“We don’t have enough power.”
To me, that seems like a child with a twisted conception of what a healthy
relationship entails. Power in a relationship is what Russia’s been taught,
it’s all he knows.

He’s picked up on the
authority that the Tatars hold over him, and therefore applies it to how he
interacts with others. Put another way, the ruled strives to be the ruler.
This cycle of unhealthy
learned behaviour is also demonstrated in chapter 194 of World Stars. There,
Russia dismantles England’s naval brigade during the American Revolution. When
confronted about it, Russia’s response is so naturally oblivious that it
appears to have been internalized.

He’s literally equated power
with the ability to do whatever you want. Once again, you see how the influence
of his childhood factors in here. What Russia observed as a child is now being
repeated by himself.
Likewise, it’s not as if
Russia’s history has given him a break from suffering either. The damage only
keeps accumulating.
In the Bloody Sunday strip,
Russia’s brought to tears as he laments about how all his hard work to improve
his country has backfired, resulting in his people hating him.

Even darker is that at the end
the strip, it’s hinted that he’s been tasked with quelling the civil unrest.

Russia also hasn’t had any
mercy spared to him regarding his bosses. While we don’t get too much
information about them, what little that we do is heartbreaking.
When Russia is taken as a
prisoner of war in WW2 by Germany, he erupts with happiness and claims that
he’s in heaven. Out of everything, the most important comment is how he
mentions that he doesn’t have to deal with his boss.

Further, when he’s later
forced to build a railway by Stalin, Russia snaps. By snap, I mean that he
begins to fantasize about warm weather and loses all touch with reality.

This distance from/
misperceived reality is also to be taken into account regarding how Russia
doesn’t understand the consequences of his actions. He grew up with violence,
so violence is the only way he sees fit to solve his problems.
One example of this would be
when England’s caught sleeping at a meeting, and Russia offers to wake up
England by hitting him with a sickle. China’s comment, “violence is not the
answer!”, is the most telling indication of Russia’s troubled neuroses.
Another example of this
inability to recognize the consequences of his violent actions is when Russia
snaps Latvia’s neck in an attempt to get him to stop trembling.

That said, I would like to
end this by citing a favourite psychologist of mine, Karen Horney. She believed
that the “basic evil” (this is used loosely) in the world is parental
indifference, neglect, and hostility towards children.
While Russia may have had
Ukraine and Belarus, they weren’t around all the time. Centuries of oppressive
leaders, bloodshed, and isolation has taken a massive toll on Russia. What
Horney also said was that parents who exercised this basic evil of indifference
were incapable of treating their children with warmth and compassion as a
result of their own troubled childhoods.
Isn’t that what you see with
Russia? It’s not that he doesn’t want to be warm and compassionate towards
others, because he does. He wants nothing more than to make friends and help
ease his chronic loneliness.
The problem is
that he doesn’t know how.

How about Russia? I’ve been meaning to give his character a more thorough insight for a long time now.
It’s important to realize that one of his character notes explicitly mentions that he’s not evil.
Post coming up tonight!

This is a really good question!
The nations are actually just as intimidated by America, but it isn’t as obvious as it is with Russia. Russia makes cryptic and violent statements and is violent, which generates a more overt fear in the other nations.
Meanwhile, America is often equated to a bossy, untameable child that acts impulsively and has the potential to wreak havoc, despite not always intending to. The best way I can put it is that the other nations treat America with caution and frequently distance themselves from him.
They view America as someone too strong and young to wield so much power; that’s what’s scary about him.
Post coming up soon!



I’ve said this before, and I’ll say it again. Hetalia is far
from simple and trivial. The amount of religious and mythical themes and
respective inter-texts woven into Hima’s writing is easy to go unnoticed
because of how comical the series is.
What this post will focus on is how Hima recreated Hans
Christian Anderson’s “The Snow Queen” with respect to Russia’s characterization.
Now, before I get started, it’s important to mention that Hans Christian
Andersen has in fact made an appearance in World Stars, so no, I’m not just
pulling this out of nowhere.


That said, here’s a brief rundown of the fairy tale. A devil
creates a magic mirror that “distorts” appearances, only choosing to reveal the
ugly qualities of those reflected in it. The mirror eventually shatters and
falls down to Earth, the shards of which are so miniscule that they’re able to
get into people’s eyes and hearts.
What’s relevant here is that the hearts of those who were
struck by the glass shards were frozen into blocks of ice.
The story later focuses on a little boy named Kai, who’s also
struck with a glass shard. Subsequent to being struck and without realizing it, he becomes cold, cruel, and aggressive. His
heart slowly starts to freeze over, but the turning point of this
transformation is when he meets the Snow Queen.
The simplest way to explain the Snow Queen is that she’s
basically like a female equivalent of General Winter. She’s able to assume a
human appearance, but for the most part, represents elements of winter in
either the forms of a snowflake, frost, or the harsh winter wind.

Nonetheless, the Snow Queen takes on a human appearance when
she entrances and abducts Kai, taking him to her ice palace. There, Kai’s heart
– and body – continues to freeze as he
becomes numb to the cold and begins to lose his sense of humanity. In the end, Kai’s saved
by his friend, Gerda.
Anyways, let’s tie this
all back to Hetalia, shall we?
As stated above, while I recognize that Hima didn’t invent
General Winter himself, it’s the relationship he has with Russia that echoes
Andersen’s fairy tale.
The Snow Queen
inflicts harm onto Kai by kissing him, and each time she does so, the numbness
of the cold makes him forget about his humanity.
General Winter does a similar thing to Russia. He attacks
Russia to the point that Russia is completely terrified of him.

Russia hates the cold, and on several occasions communicates the desire to live in a place that experiences warmer weather.

Russia’s place is so cold
that his emotions are numbed. I mean, he literally used to spend his
winters buried under snow, praying that he would be able to survive it.


This theme of numbness and losing one’s humanity is most
seen in how Russia interacts with the other nations. He’s often oblivious to
how cruel, aggressive, and harmful his actions are.
For example, he once tries to get Latvia to stop trembling
by snapping the latter’s neck.


What really ties this all together is how Russia’s heart falls out at times. This could possibly represent how his heart has yet to
thaw as a result of his cold climate, which, in turn, could explain his cruel
and aggressive behaviour.

It’s not something he can control, but is rather an undesirable
product of the madness generated by a history of childhood victimization,
bloodshed, and unforgivingly frigid weather.


Well, I mean, it’s included as part of his character
notes. But, if you’re looking for an explicit example, there’s plenty of instances where he’s shown to “escape reality.”
Here, he’s building a railroad under Stalin’s orders. To
cope with these miserable conditions, he begins fantasizing about warmer
weather.


Mhmmm. It’s honestly mind boggling how many inter-texts Hima includes in the series. This one has to do with “The Snow Queen.” Post coming up tonight!



Hetalia has often been mischaracterized as something that
promotes and glorifies violence. Why? Because the initial setting takes place
in World War 2. Somehow that automatically equates to said negative image.
To that, I say this. There’s a difference between situating
a historical context and using explicit insignia to support an abhorrent
ideology. You never see the latter portrayal in the series.
While I disagree with a lot of Hima’s early characterizations and miscalculated jokes, his depiction of
fascism, communism, and war is something that I’ve always respected. It’s done
tastefully (with comical hyperbolic elements, of course), and does anything but
promote violence.

That said, it’s also important to mention that the
insensitive war jokes used in the dub are completely irrelevant to the messages
of peace and solidarity that Hima incorporates into his work. That’s the result
of other people interpreting the series and making it their own, only to botch
it entirely.
Regardless of the fact that war’s going on, Hima makes an effort
to showcase the triumph of humane and compassionate qualities in the nations.
Yes, they ‘hate’ and wage wars against each other – not having much of a choice over the matter,
mind you – but this rivalry doesn’t hold them hostage, nor does it dictate how
they interact with each other.
Conflict doesn’t dehumanize the nations; they don’t become
ruthless killing machines without a semblance of remorse or empathy. Just like
enemy soldiers called ceasefires on Christmas and occasionally organized sports
events, the nations for the most part
engage in similar civilities.
Again, it’s the conflict that’s brutal, not the nations
themselves. In fact, they have some of their admirable, most striking moments during war.
When America occupies Rome, he treats both Italies as if
they were his friends. Romano’s clearly terrified, but America breaks the ice
by politely asking them if they could make him authentic Italian food. That’s
hardly something you would see with individuals who regard each other as
enemies.



You also see nations from different alliances casually
hanging out during war, almost as if there wasn’t one going on at all. Remember
that they’ve fought each other so many times that they’ve likely matured past
being pent up on rivalries, as long as interacting with enemy nations doesn’t
go against their people’s well-being.
As they share and try each other’s rations, familiarity
appears to triumph over hostility.



There’s a clear reason why the series’ main theme is “Draw a
circle, that’s the Earth,” rather than, “Draw a border, that’s my country.”
It’s to bring the world together, not tear it apart.

[Anon is talking about one of Russia’s character songs]
There’s plenty of strips that reveal how miserable and
lonely winter makes Russia. A recurring theme with him is that he either wishes
or dreams to be in a place with warmer weather (I think this is a reference to the
early days of Russia, where he likely personified the Kievan Rus, a region with
a far milder climate).
But, if I had to guess, this strip bears the strongest
connection. A dark theme running throughout the song involves Russia crossing
through a snowstorm in search for signs of life.

Just let that sink in. If Russia’s happy that he survived
the winter, doesn’t that imply that he’s frozen to death before?
